Archive for the ‘on paper’ Category

SEAK:Shenzhen Tagger Satellite Series on paper (21pieces +1)

Tuesday, January 1st, 2008

showroom in china

click_clack_my_hoes_sez21.JPG12.september_unlocked_sez16public.JPGspider_pig_does_what_it_wants_sez19_public.JPGwomen_on_top_sez11public.JPGSignatur, Seak`s erster Papier Serie IMG_6578.jpg

this paper series is my latest full edition of available original artwork, this time on paper.
still playing with the thought of realising it although one time on canvas, but i kinda like the contrast of raw and brutal fatcap spraycan strokes on a fragil and sensibel media like paper.

Somewhere in between post graffiti and street art, i would consider it urban art. those satellites are a further abstraction of my small “a”. yes that crazy turned arround dildoish looking microphone, is a Letter/logo. some of the paper original are in hongkong and shenzhen still available, some of them are still in London. After my show at the biennale in Shenzhen ive followed an invite by infamous london street artist pure evil, who teamed up with Robin Banksy`s ex Wingman “Eine” (himself a true london innercity vandal legend) to put down a major show of the contempoary Uk street/urban art who is who. thanks for flying me in charly.

Skizzen und Stilstudien: SEAK:Schriftzüge aus einer Linie (oneliner)

Sunday, April 29th, 2007

finishing the

Seak: nice combination of the E and the Awarm up throw upsanti styleblow it up babyway back, back into timeeinfach gehaltentall and almost goofy

seak onliner blockSeak: thats one of a kind.Seak: nice combination of the E and the ASeak: ill connectionsseventiesshake it dont brake itclick clack

Die meisten von euch kennen diese Schriftzüge aus dem wilden sprayen, bzw noch vom Mäppchen bekritzeln in der Schule, den “Bubble style”, oder auch “Throw up”.
Hiermal eine kleine Serie von solchen, allerdings als sogenannte “Oneliner”.
Das heisst das, wie in diesem Fall das Wort “SEAK” aus einem Stück, ohne abzusetzen geszeichnet ist.
Hierbei liebe ich besonders den shcmalen Grad zwischen stylisch ästhetischen Formen, und verzockten einfach nur der Nutzbarkeit des Buchstabens dienenden Brüchen.